JAYLON ISRAEL HICKS
Jaylon Israel Hicks (b. 1993, Houston, Texas) is an American conceptual artist based in Houston, Texas, whose practice traverses drawing, painting, sculpture, and photography. Concerned with the complex relationships between humans, materials, and the environment, Hicks addresses themes of globalisation, waste and connectivity with a distinctive focus on the Anthropocene's self-destructive tendencies.
At the core of Hicks’ practice is his material-driven approach. A fervent student of Material Science, he examines the promises and pitfalls of synthetic materials, exploring their cultural, emotional and environmental significance in a rapidly globalising world. Hicks’ hybrid works, which straddle painting and sculpture, often feature expanded polystyrene; a synthetic material emblematic of modernity’s disposable culture. Polystyrene's duality fascinates Hicks: while inherently destructive and corrosive, it also embodies playfulness, flexibility and resilience. In his hands, this material becomes both a reflection of human ingenuity and a critique of its consequences.
The interplay between the artificial and the natural, the permanent and the disposable, lies at the heart of Hicks’ art. Hicks’ definition of nature is expansive, encompassing urban landscapes and the human impact on them. Hicks’ work articulates the emotional and existential weight of contemporary life, transforming ubiquitous, everyday objects into charged symbols of societal and environmental decay. While his work critiques the exploitative systems of corporate and industrial power, it retains an empathy for individuals, extending grace and warmth to both human and non-human entities.
Solo exhibitions include Favorite Planet, Marc Selwyn Fine Art, Los Angeles, CA, US (2024); The Universe is Coming to Town: USA Playhouse (Castle of Peace), Maximillian William, London, UK (2023); Gothica, Maximillian William, London, UK (2023); Wilt, Kaboom Books, Houston, US (2015).
Group Exhibitions include Made In Texas, Art Galleries at Black Studies (AGBS) at The University of Texas at Austin, Austin, TX, US (2026); 5 Years, Maximillian William, London, UK (2024).
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SELECTED WORKS
Jaylon Hicks; USA Playhouse, 2026; Spruce; 249 x 239 x 139 cm; 98 x 94 1/8 x 54 3/4 in.
Jaylon Hicks; g, 2026; Lacquered cast aluminium; 44 x 34 x 34 cm; 17 3/8 x 13 3/8 x 13 3/8 in.
Jaylon Hicks; Naphtha Tote, 2025; Sand, acrylic and house paint on industrial tote; 121.2 x 101 x 114.6 cm; 47 3/4 x 39 3/4 x 45 1/8 in.
Jaylon Hicks; Inertia in full color, 2025; Sand, acrylic and house paint on canvas; 136.5 x 260.4 x 3.8 cm; 53 3/4 x 102 1/2 x 1 1/2 in.
Jaylon Hicks; Untitled (Matter organization 1), 2025; Watercolor, ink, pencil and colored pencil on paper; 45.7 x 61 cm; 18 x 24 in.
Jaylon Hicks; Seiko, 2025; Sand, acrylic, house paint on clock; 30.5 x 30.5 x 3.8 cm; 12 x 12 x 1 1/2 in.
Jaylon Hicks; Matter: An inherent offering, 2025; Digitally crafted c-print; 85.1 x 66.7 cm; 33 1/2 x 26 1/4 in.
Jaylon Hicks; Untitled (Black Circle), 2025; Sand, wood, Sheetrock, xps foam and paint; 182.2 x 138.4 x 14 cm; 71 3/4 x 54 1/2 x 5 1/2 in.
Jaylon Hicks; Untitled (Gold Bat), 2024; Wooden bat, aerosolized gold lacquer, spray paint and faux maple leaves; 92.7 x 13.3 x 13.3 cm; 36 1/2 x 5 1/4 x 5 1/4 in.;
Jaylon Hicks; Untitled, 2024; Oilstick and acrylic paint on XPS Polystyrene; 43.2 x 43.2 x 2.9 cm; 17 x 17 x 1 1/8 in.;
Jaylon Hicks; Untitled (Fence), 2024; House paint on EPS foam; 243.8 x 243.8 x 8.9 cm; 96 x 96 x 3 1/2 in.;
Jaylon Israel Hicks; An ode to freezing bullets, 2017-2020; C-Print, Sand, Expanded Polystyrene; 11.5 x 9.5 x 1.5 in;
Jaylon Israel Hicks; Ex (Gold), 2023; Aerosolized Gold Lacquer and Expanded Polystyrene; 121.5 x 121.2 x 4.99 cm;
Jaylon Israel Hicks; Gun wound (Eagle X-Ray), 2021; Charcoal and liquid charcoal on linen coated pavement; 16.5 x 16.5 x 2.25in;
Jaylon Israel Hicks; UTAH, 2016; Expanded Polystyrene; 20.4 x 16.4 x 2 in;
Jaylon Israel Hicks; Ex (Skull), 2022; Acrylic, Black gesso, raccoon skull and Expanded Polystyrene; 121.7 x 121.8 x 4.74 cm;
Jaylon Israel Hicks; Line Study, 2018; Charcoal on Paper; 22.25 in x 25.25 in;
Jaylon Israel Hicks; Untitled (sweetgum leaf), 2021; Watercolour on paper; 5in x 8in;
Jaylon Israel Hicks; Ex (UV), 2022; Acrylic and Expanded Polystyrene; 121.6 x 121.3 x 4.83 cm;
Jaylon Israel Hicks; Untitled (Hello), 2018; Watercolour on Paper; 16in x 20in;
Jaylon Israel Hicks; ZZZ, 2017; Acrylic on Wood; 8 x 10 x 1.5 in;
Jaylon Israel Hicks; [Jup] buys the ravens, 2022; Graphite on paper; 14in x 17in;